From Gandalf to Sherlock: Ian McKellen's candid take on Hollywood's biases
Ian McKellen discusses the biases in Oscar voting, highlighting homophobia alongside racism.
![<p>Ian McKellen</p> <p>Ian McKellen</p>](https://imagesv2.desimartini.com/images/202311/ian-mckellen-1699004068.jpeg?width=800&quality=50&format=webp)
Ian McKellen
As the autumn leaves signal a time for reflection, it’s fitting to revisit a moment from the past that still resonates today. Sir Ian McKellen, an acting colossus whose name is synonymous with both Shakespearean gravitas and blockbuster magnetism, once boldly shone a light on the biases tainting the glittering façades of Hollywood’s most esteemed accolades.
McKellen's Candid Revelation
Back then, McKellen stirred the pot with a question that pricked the conscience of the film industry: "No openly gay man has ever won the Oscar; I wonder if that is prejudice or chance?" His words, still echoing through the halls of Hollywood today, underscored an uncomfortable truth about the Academy's history with diversity. "What about giving me one for playing a straight man?" he quipped, a question as relevant now as it was during its original utterance.
The revered actor wasn’t just a voice for the LGBTQ+ community but also an ally for racial minorities facing the stark homogeneity of the Oscar nominees. He recognized the intersectionality of prejudice, empathizing with those "being ill-treated and underestimated." His statement, "If you are trying to have a career, as a black or Hispanic actor... and you are being judged by an Academy where the vast majority are white, male, middle-aged and old... well, perhaps that is the wrong yardstick," resonates amid today's continued conversations about representation and equality.
McKellen's Legacy Beyond the Silver Screen
Not only a beacon in the fight for equity in awards, but McKellen also left an indelible mark on the acting world with his contributions to the British Film Institute's (BFI) Shakespeare season. His influence even extended to casting decisions, famously denying a young Eddie Redmayne his first film role, an anecdote McKellen shared with his characteristic blend of candor and wit: "Eddie Redmayne is a bloody good actor even though I had the privilege of denying him his first film part."
Yet, his reflections on acting were not solely rooted in personal anecdotes. McKellen raised an alarm about the exclusivity of the acting profession, particularly the advantages held by those from elite institutions like Eton. "It would be dreadful if only the privately educated could get to RADA," he remarked, sparking a discussion about the accessibility of the arts to diverse socioeconomic backgrounds.
As McKellen once guided fans through the very locales that brought his interpretation of Richard III to life, we are reminded that his legacy is not merely in his roles but also in his outspoken advocacy for a fairer and more inclusive industry.
Even as the years have passed, the potency of McKellen's words has not dimmed. It's a stark reminder that while the stages and screens have evolved, the battle for equity remains a persistent struggle. Sir Ian McKellen's reflections are not just a throwback but a beacon that continues to challenge an industry to rise above its historical biases.
(Several parts of the text in this article, including the title, were generated with the help of an AI tool.)